Chord Pi by Kate Bush

Chord Pi Kate Bush - Kunci gitar dasar paling akurat untuk pemula, lengkap dengan lirik lagu asli. CHORD "pi" by kate bush from aerial a sea of honey easily the most difficult song i have ever set upon to put chords to . i do a thankless job , but i love , i love , i love it . intro : A Em7/G F Fmaj7 F6 F D7 C Cmaj7 C6 C C6 C G/B A Em7/G F Fmaj7 sweet F6 F D7 C Cmaj7 C6 and gentle and sensitive man C C6 C C6 with an obsessive nature and deep fascination C Em/B for numbers A Em7 F C Dm7 Am D7 C and a complete infatuation with the calculation Em of pi Am7 Em/B C C6 Am oh he love , he love , he love Em Am he does love his numbers and they run , they run , they run him Em Am in a great big circle Em in a circle of infinity A Em7 F three C Dm7 Am C Cmaj7 point one four one five nine C6 C C6 two six five three five C G eight nine seven nine three two A Em7 F C three Dm7 Am D7 eight four six two six four D6 D7 C6 C C6 three three eight three two G/B G Am seven nine oh he love , he love , he love Em Am he does love his numbers and they run , they run , they run him Em Am in a great big circle Em Am in a circle of infinity but he must , he must , he must Em put a number to it A Em7 F five C Dm7 Am7 D7 D6 D7 C zero two eight eight four one nine Cmaj7 C6 C seven one six nine three nine C6 C G nine three seven five one zero A Em7 five F C Dm7 Am7 D7 oooh D6 D7 eight two three one nine C6 C Cmaj7 C6 seven four nine G oh he love , he love , he love he does love his numbers A Em7 Fmaj7 four four F Fmaj7 F6 F D7 C Cmaj7 five nine C6 C G/B two three zero seven eight one six four zero six G two eight six two zero eight eight two one four A Em7 F C Dm7 Am7 D eight C Cmaj7 C6 C C6 C G oh Am eight six five one three two Em oh he love , he love , he love , he does love his numbers Am and they run , they run , they run him Em Am in a great big circle Em in a circle of infinity A Em7 eight two three F C Dm7 Am7 D7 zero C6 six six four seven zero nine three eight four four six zero nine G five five o five A eight two two three . . .